Video art by Katerina Jebb
Into the Hairy New creation by Sharon Eyal for L-E-V
ARTISTS & CREW
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SHARON EYAL
Co-Founder, Co-Artistic director and choreographer of L-E-V Sharon Eyal was born in Jerusalem and based in France. She danced with the Batsheva Dance Company between 1990- 2008. Eyal served as Associate Artistic Director for Batsheva from 2003–04, and as a House Choreographer for the company from 2005–12. During her time with the company, she created 16 new...
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CREW
GAI BEHARCo-Founder, Co-Artistic director & creator: As a party producer, Gai was taking a big part of Tel Aviv nightlife scene as well as a curator of multidisciplinary art events from 1999 till 2005. Gai joined Sharon in co-creating Bertolina in 2005 and has collaborated on the creation of Sharon Eyal ever since.
ORI LICHTIKMusician: Ori... Read more
WORKSHOP Spring 2025
SHARON EYAL CREATION WORKSHOP Spring 2025
The workshop offers dancers a unique opportunity to delve deep into the physical practice and creative process of Sharon Eyal. Participants will engage in daily sessions led by long-time collaborators of Sharon Eyal Dance Company; Nitzan Ressler and Clyde Emmanuel Archer, alongside working with Sharon Eyal on a daily basis.
Dates: March 12-16, 2025 (5 days)
Hours:
March 12: 12:00 - 18:00
March 13-14: 12:00 - 19:00
March 15-16: 13:00 - 20:00
Location: Studio MayB in Micadanses in Paris, France.
Who Should Attend: Pre-professional and professional dancers, aged 16 and above.
Fees:
Early Bird (until January 31, 2025): 615€
Full Fee (from February 1, 2025): 690€
Fees are determined by the date of registration (until January 31st - early bird fee / from February 1st - full fee).
Fees are including VAT/TVA. Receipts will be sent up to 3 days after payment has been done.
For registration, please click here
For more details, please contact [email protected] with the subject "CREATION WORKSHOP SPRING 2025".
Important Information:
The workshop has a limited number of spots and will only proceed if there is sufficient enrollment.
Payment must be completed within 3 days of the payment opening. Unpaid spots will not be reserved.
Participants are responsible for securing their own health insurance that covers medical care in France.
The company reserves the right to change the schedule without prior notice.
The company may cancel a participant's registration if they do not meet the workshop's professional level.
Cancellation Policy
If your spot is reserved and needs to be canceled, please notify us as soon as possible.
Full Refunds: If a full refund is issued, the participant will receive 90% of the paid fee.
Cancellation by February 20: 75% refund of the paid fee.
Cancellation between February 21 and March 4: 50% refund of the paid fee.
Cancellation after March 5, 2025:
If your spot can be replaced (with at least one week’s notice), you will receive a 25% refund.
If your spot cannot be replaced, unfortunately no refund will be given.
Scholarship Opportunity
We are pleased to offer scholarships for this workshop, intended to support a dancer who demonstrates both financial need and exceptional professional potential. The scholarship recipients will receive up to a full tuition waiver and, in exchange, will assist with registration and studio arrangements for one hour each day.
Application Requirements:
Workshop Registration: Applicants must first register for the workshop.
Letter of Motivation: Submit a letter (up to one page, PDF format) explaining your financial need, passion for dance, and how this workshop aligns with your professional goals.
To Apply: Send your letter of motivation and video to [email protected] with the subject "SCHOLARSHIP CREATION WORKSHOP SPRING 2025" by January 20th. We look forward to receiving your application!
ON TOUR
Paris, France
Symbiosis - Special Residency in Palais de Tokyp
January 15-18, 2025 | Palais de Tokyo
Lieusaint, France
Into the Hairy
January 21-22, 2025 | Théâtre-Sénart, Scène nationale
Arcachon, France
Into the Hairy
January 25, 2025 | Théâtre Olympia
St. Ouen, France
Love Chapter 2
February 6-8, 2025 | Espace 1789
Vélizy-Villacoublay, France
Love Chapter 2
February 11-12, 2025 | L'Onde Theatre Centre d'Art
Barcelona, Spain
Into the Hairy
March 23, 2025 | Dansa Metropolitana
Madrid, Spain
Into the Hairy
March 26-28, 2025 | Teatros del Canal
The Hague, Netherlands
Into the Hairy - Special version with NDT
May 15-17, 2025 | Amare
Amsterdam, Netherlands
Into the Hairy - Special version with NDT
May 20-24, 2025 | ITA
Den Bosch, Netherlands
Into the Hairy - Special version with NDT
May 27, 2025 | Theatre at the Parade
Utrecht, Netherlands
Into the Hairy - Special version with NDT
May 28-29, 2025 | City Theatre Utrecht
Groningen, Netherlands
Into the Hairy - Special version with NDT
June 1, 2025 | SPOT Groningen
Rotterdam, Netherlands
Into the Hairy - Special version with NDT
June 3, 2025 | Theater Rotterdam
The Hague, Netherlands
Into the Hairy - Special version with NDT
June 5-7, 2025 | Amare
more coming soon...
REPERTOIRE
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Into the Hairy
INTO THE HAIRY 50 minutes, without intermission Deep Into the Hairy… Dirty and gentle. Broken. Alone. Alone. Alone. Alone. Deeper. Stronger. Weaker. Sadder. More alone. Hole. Diamond shining off alone. Mustn't be night. Skies and heart. My love chapter 245. I LovE you. My Harry……..INTO THE HAIRY is the latest creation by...
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Chapter 3: The Brutal Journey of the Heart
L-E-V is happy to present - Chapter 3: The Brutal Journey of the Heart“...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.” Hanya Yanagihara | Little Life Moment. Silence. Dryness. Emptiness. Fear. Wholeness. Concealment....
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LOVE CHAPTER 2
(Duration: 55 min, without intermission, 5-7 dancers)
I'm a living, loving, functioning being broken into crumbs of love, giving myself to the blast.A sense of disaster, death of all hope and of ending, crawl like an illness via the dancers' bodies.Now that there are no limits we are dangerous to ourselves.Liquids of information, the pain of loss and mental exhaustion mutate into a big a heart coated with darkness and matter made from guarded...
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OCD LOVE
(Duration: 55 min, without intermission, 5-7 dancers)
L-E-V Dance Company, the name of which includes the Hebrew word for heart (lev). And it is matters of the heart that form the theme of the brand new L-E-V creation “OCD Love” The work also deals with OCD, obsessive-compulsive disorder, which repeatedly poses challenges for love and for life. A powerful piece, danced to pulsating techno beats created by DJ Ori Lichtik.It's...
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LOV3
We are proud to present LOV3:OCD Love, Love Chapter 2, and Chapter 3: The Brutal Journey of the Heart - 3 parts of an ongoing creation made by Sharon Eyal uniquely for the company. LOV3 allows the audience to watch the two works, which are connected in a very instinctive way, leading the viewer to experience and feel the creators' different...
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SARA
SARA is like a pearl in a treasure, box of jewels smell like ancient with the feeling of a new. The box cannot be opened all the way, her charm will fade. White pearl, transparent, leaking colors but always remains a pearl. SARA is minimalist, gentle, feeling and sensitive, hard core and...
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KILLER PIG
Killer Pig - Trailer from L¬E¬V Sharon Eyal | Gai Behar on Vimeo. Killer Pig - As if describing the roots of the creative mythology of L-E-V and gives a glimpse into the place where the most temporary theme of the group started. Place of minimalist expression, intense honesty and uncompromising physicality. Also in this work, the college of musician Ori Lichtik assimilated as an...
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HOUSE
(Duration: 55 min without intermission)
“House generates various types of crisis. The work is comprised of several different parts, like small families ganging up together, gently and carefully” — “She has her own unique language, knows exactly what she wants to say, and succeeds in doing so. And, as always, Sharon Eyal is hypnotic as a performer – noble and wild...” YNET/YEDIOT AHRONOTHouse...
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PRESS
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OCD LOVE 2015
"One of the satisfactions vouchsafed a veteran reviewer lies in following a career that started as a promise and, after a long and winding road of searching, achieves efflorescence. That thought came to me as I watched a wonderful dance work created by Sharon Eyal and Gai Behar. From the outset they have been attentive to themselves, and as that attentiveness becomes more intense, their rich...
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SARA / KILLER PIG 2014
"The major legacy of Sharon Eyal and Gai Behar is a lexicon of movement that is unlike that of other artists. It’s their own language, full of passion and, at the same time, marvelously delicate. The dancers move like people from another culture, with bodies that move differently and with a world of images and memories of their own. These two dances have already been performed by troupes...
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HOUSE 2014
"The dancers were as if eerily unhuman, their characterization, through bound-flow contorting and twitching completely captivating. House, the 55-minute work by Sharon Eyal and Gai Behar, literally brought down the house. While the dancers performed utterly grotesque shapes, lines, and facial gestures, the unity, variety, repetition, and contrast of elements were eloquently sequenced....
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HOUSE 2012
“House was, in my eyes, a love letter to dance. It was sexy, naughty, dirty, suggestive and delicious. The nearly nude dancers, each one fiercer than the next, moved like they had been sprinkled with magic powder.I loved the risky feeling I got sitting in the audience. As if Eyal was leading me into some shady back alley of the dance world that I wasn’t sure I should be allowed to visit....
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UNTITLED BLACK 2012
“The choreography is an abstract tale that is telling the story through form. There is pleasure in every second.”Lis Hellström Sveningson GOTEBORGS POSTEN “...a never ending flow of movement which under full control is spreading across the stage. A wondrous freedom takes place in the strong structure, the symbiosis with the music is total.” Lis Hellström Sveningson GOTEBORGS...
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TOO BEAUCOUP 2012
“But the evening belonged to Eyal... Eyal’s work is a fierce study in groupology, stamina and twitchy precision. Militaristically cavorting to Ori Lichtik’s divine mash-up score, 15 dancers in flesh-colored unitards and short blond wigs (Nijinsky’s “Faun,” anyone?) made goofy robo-moves and cartoony gambits akin to a thrilling alien rave.” VIctoria LooseleaLA TIMES, Feb....
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BILL 2010
“‘Bill’ is characterized by a primal, wild, almost tribal atmosphere − and at the same time one that is also contemporary, like today’s club culture.” Roni Dori HAARETZ, May 2010 “Her movement style seems to be drawn with a tender hand, and also unintentionally chaotic, yet precision and perfection are her hallmark. This dance piece stands out, it will be...
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Killer Pig 2009
“…qualified choreographer Sharon Eyal demonstrates precision in execution… form-fitting and erotic.” TANZ MAGAZINE, GermanyMay 2011 “The movement is controlled but not automatic. It´s free but at the same time held. It´s wild inside the calm. The way Eyal assembles the contradicting forces and the movement pattern is what makes her movement concept so owerful”...
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BERTOLINA 2006
“Last night Eyal caught me by the throat, squeezed hard and threw me right into the battle arena of her mind... you can’t help but being completely drawn to the movements on stage, wanting to join the dancers... swirl as if in a pagan ritual, bite your elbows, feel how the rich and rhythmical soundtrack seeps into your bones and drives you mad.” Na’ama Lanski YEDIOTH...
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